A 1970s player, a 1980s flameout, and a 1990s survivor, studio executive-turned-producer Robert Evans' flamboyant life is as checkered as his mercurial career. Born Robert Shapera in New York City, Evans was a child actor, but he gave it up and went into the clothing business with his brother at age 21. Despite their success, Evans returned to acting when Norma Shearer chose him to play Irving Thalberg in the Lon Chaney biopic Man of a Thousand Faces (1957). Although Evans had the movie-star looks, he lacked the talent to move beyond a smattering of small roles, including in The Sun Also Rises (1957). Still entranced by the movie business, however, Evans left the clothing company and went to work at 20th Century-Fox.
Despite his relative lack of experience, Evans was made the head of production at floundering Paramount in 1966. Under his Thalberg-esque watch, the rejuvenated studio turned out some of the most important hits of the late 1960s and early '70s, including Rosemary's Baby (1968), Love Story (1970), and The Godfather (1972). As skillful at drawing attention to himself, Evans held court at his estate with wife Ali MacGraw, and publicly clashed with Francis Ford Coppola over who was responsible for The Godfather's artistry. Though Evans was humiliated when MacGraw dumped him for Steve McQueen after The Getaway (1972), he still rode high professionally, striking a deal with Paramount that allowed him to produce as well as maintain his executive title. Setting the bar perhaps too high, Evans' first production was the Roman Polanski-directed, Robert Towne-scripted, revisionist noir Chinatown (1974), one of the outstanding works of the 1970s. Though Chinatown brought Paramount Oscar nominations and some box office (though no Best Picture statuette), Evans' dual role became problematic. He turned solely to producing, scoring two more hits with the thrillers Marathon Man (1976) and Black Sunday (1977). Evans also helped resurrect John Travolta's career (for the first time) with the moderately successful, trend-setting production Urban Cowboy (1980).