Audio Reviews - The Master - Audio Review

A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.

Tags:  movie review, audio, spill, spill.com, amy adams, joaquin phoenix, philip seymour hoffman, laura dern, the master

58 Comments for The Master - Audio Review

  • October 03, 2012 at 6:28 PM, Biz said ...

    I agree with a lot of what was said and this review sounded like the dinner conversation we had after watching it, but I don't want to watch it again.


    ___SPOILER DISCUSSION BELOW____

    I kind of agree with Kevin M. though - all the guy wanted was to get laid - I don't know if that made him an addict, because he didn't seem to get any, but if the great Paul Anderson is so great, he wouldn't have ended the movie with that scene if that wasn't an important change for the character.

  • October 01, 2012 at 1:14 AM, kevin miller said ...

    Joaquin Phoenix didn't come off like a sex-addict??

    We must have watched different movies, because I feel like that was central to his character, and they established it several times!

    ----------------SPOILER---------------------

    HE FUCKED HIS AUNT FOR CHRIST'S SAKE!!!

  • September 25, 2012 at 5:20 PM, Juan said ...

    by the way a little late I do like Brian. I just said that just in case people didn't know him by name 

  • September 25, 2012 at 4:21 PM, Daniel Garber said ...

    If you talk about this movie again can you please bring up the soundtrack. I was a little bummed that you didn't it's once again composed by Johnny Greenwood (as was There Will Be Blood). It was unique and great. Hopefully this time around it will be up for an oscar when There Will Be Blood came out he got jipped. Anyways if you get another chance please talk about the soundtrack.

  • September 25, 2012 at 1:18 AM, Zachary Landes said ...

    There is only one Master and that is MANOS!

  • September 24, 2012 at 10:19 AM, darlinho said ...

    smh at some of you guys. i really dread coming to this site now. i have been trying to ignore the constant jabs thrown by the fans but damn its hard.


    You have one guy (Fatality) trying to masquerade a jab at the foundation of the site as  "constructive criticism." Where in the hell did you get your education? do you even know what those words mean? There was nothing constructive about what you said. It is funny that you choose to make this comment about a movie that you seemed to like. Why didn't you say this when they talked about movies like precious, the help, and the dozen other movies that deal with more serious issues than fucking scientology and/or cults.?

    So with all due respect fuck off.

    Then you have people like BLU calling co host review style cookie cutter. His style wasn't cookie cutter when you were laughing along with him on the other reviews. It is only when  movie that you clearly like is discussed that you choose to comment about the review style. 

    Anything intellectual that you had to say about this movie was lost after that point for me.

  • September 24, 2012 at 6:42 AM, said ...

    @ Francis N. Chicago III, I'm glad that you saw the humor in Hoffman's character. Because of all the heavy dramatic weight of the film's performances it seems that many don't recognize the humor of its characters. Many PTA films find and uncanny balance of drama and hilarity, especially Boogie Nights, which I actually consider to be the best comedies of the last few generation while still maintaining its dramatic arcs. Hoffman's few outbursts in this film reminded  reminded me a lot of his character from Punch Drunk Love, who would scream when confronted will the most minor insult.

  • September 24, 2012 at 4:23 AM, LPFAN43 said ...

    Fatality, the entire point of the site is comedic reviews. That is all they have EVER done. There's a difference between constructive criticism and completely unrealistic expectations. It is completely unrealistic, and borderline stupid to expect them to do a non-comedic review.

  • September 23, 2012 at 11:34 PM, Julio Francisco Suarez Gonzalez said ...

    @ Lawrence Louis: Can it not be just about these people? It's not a narrative movie in the traditional sense and I agree that it does meander but the more I think of it the more OK I'm with that prospect. I guess maybe that's just me. It is clearly what the movie wanted to do and I think it was the perfect way to go with. Anderson is a filmmaker that I cannot say isn't sure of what he wants. The "story", if it can be called that, was just their relationship and how it ends in a sad and beautiful way. I think it works, regardless of meandering. Still, your points are pretty good. And if this was a Hollywood movie it wouldn't have worked. But I just can't see it go any other way. Particularly due to it being filled with themes and allegories to a number of interpretations. PTA films are crazy on how well they are made and how intricate they can be with all  sorts allusions. 

    Btw, you pretty much described my positive feelings towards the movie. Scary on how it mirrors mine. And on the score, I think for the most part, I agree. A matinee would be sufficient for casual viewers. Personally, I'd go full price but I'm a masochist.  

  • September 23, 2012 at 11:02 PM, Lawrence LOuis said ...

    "The Master" should have been called "A Beautiful and Dramatic Meandering".  That is precisely what it was.


    Phoenix's portrayal of a man who was growing increasingly insane, and increasingly enslaved by alcoholism, was the most believable performance that I have seen about a person, on his path to self-destruction, in recent memory.  There was something both fearsome and pitiful about his character.  Your heart really goes out to him, but you see why everyone would really be apprehensive about wanting to help him, given how much of a danger he is to himself and those around him.


    Hoffman had such a commanding presence on screen, to where it was easy to fathom that if a person was in a state of emotional despair and/or wasn't critical minded, how such a person could easily fall for his pseudo-scientific drivel. His character oozed charisma, and what I loved about the performance is he kept you guessing as to whether he was really trying to help Phoenix's character, or merely exploiting him. Also, there was some ambiguity as to whether he actually believed in his own mumbo jumbo.


    Of course, one should not forget the stellar performance of Amy Adams. She played the matriarch of "The Cause" in a way that really illustrated her utter devotion to her husband, and her sensitivities towards his struggles, but at the same time she exuded a fierceness that few actresses can pull off.


    And of course the cinematography was some of the best I have seen this year. Anderson knows how to use the screen as a vivid canvas, and though I did not see this movie in 70mm, it still was gorgeous to look at. Anderson has a tendency to remain on one shot for a long time before going to another angle, and though that would normally be irritating if any other director did it, Anderson's tracking and excellent use of color, made this film a feast for the eyes.


    So with all the positives why do I describe this film as more aptly titled "A Beautiful and Dramatic Meandering"?  The problem with this film is that, while aesthetically superb and outstandingly acted, the story seemed to go nowhere. It doesn't matter how pretty a movie is or how well acted the movie is, if both the cinematography and acting are not subsumed in a story that goes somewhere, the audience will come out bored. There seemed to be no build up, no climax, and no resolution to "The Master". It just seemed to be perpetual cycle of Phoenix's volatile personality exploding into a violent episode, followed by Hoffman subduing  Phoenix's anger and then toying with his psyche, and then Phoenix, after a period of emotional tranquility, lapsing again into his rage. Then the cycle repeats. After awhile, this gets old. Amy Adams' character, near the end of the film, commenting on the incorrigible insanity of Phoenix's character, asks Hoffman "what is the point". I, and most people, came out of the movie theatre saying the exact same thing about the movie.


    For the visuals and excellent performances, I will give this movie a low matinee. It deserves a theatrical viewing for the visuals alone. But I can't give it a higher rating, because the story was aimless.

  • September 23, 2012 at 10:06 PM, Bryon Dill said ...

    Brian is fitting in really well in these reviews. Very natural and his personality meshes well with the others. If he's got the time and desire, I wouldn't mind him being a permanent addition to the crew.

  • September 23, 2012 at 9:01 PM, Bryon Dill said ...

    Lol. The moment I heard about this movie, I knew they'd start their review with a Last Dragon joke. So glad they didn't disappoint.

  • September 23, 2012 at 8:14 PM, Jonathan Tipton said ...

    @R_Reticence 

    It seems to be the same case as Carlyle he worked for multiple sources as does Brien. I totally agree, he should. Brian is funny, intelligent and fits perfectly in the reviews. Shut up haters, change is constant!

  • September 23, 2012 at 7:41 PM, Dr. Detfink said ...

    Love the concept you can't manipulate the crazy...which is to say, Hoffman's character loved Phoenix's because he couldn't control/fool/manipulate him...

  • September 23, 2012 at 7:29 PM, R_Reticence said ...

    brian should replace carlyle

  • September 23, 2012 at 5:02 PM, said ...

    @jaun

    Aww i like brian, dont be a hater

  • September 23, 2012 at 12:44 PM, Alex S. said ...

    Really enjoyed this, it's definitely one of those movies you have to let sit for a couple days before being able to properly summarize your feelings on. 

  • September 23, 2012 at 11:50 AM, said ...

    Man, you guys rip Paul W.S. Anderson every chance you get! Cut him a break. I still love you guys, great review.

  • September 23, 2012 at 7:49 AM, Rudy said ...

    @BLU Year

    Thanks. I'm really looking forward to this.

  • September 23, 2012 at 6:34 AM, Juan said ...

    They gotta be funny. That's their job. They are entertainment critics. I really did like the review even if I disagreed with the ratings with co host and replacement Cyrus (Brian)

  • September 23, 2012 at 6:06 AM, said ...

    Fatality, Telling Comedians not to crack jokes is, in essence, retarded.

  • September 23, 2012 at 6:04 AM, Julio Francisco Suarez Gonzalez said ...

    @ Morgan_Hiller: It's used just as well. 

  • September 23, 2012 at 5:41 AM, Rudy said ...

    Not even a small mention of Jonny Greenwood? I've already heard it, but I want to know how it fits in with the film itself. I think a great deal of the atmosphere was created by the music in There Will Be Blood.

  • September 23, 2012 at 5:06 AM, said ...

    @Seeker Forgive me for having an opinion on what I feel is constructive criticism of and for the site. Because we all know how much Korey hates change and feedback/complaints from the people who are devoted fans of Spill.

  • September 23, 2012 at 4:53 AM, LPFAN43 said ...

    Lealand Blacksmith, Judging by what I heard, I don't think Leon saw the movie.

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The Master Details

Synopsis:  Philip Seymour Hoffman stars as a World War II vet who's inspired to create a religion upon returning home to 1950s America. Joaquin Phoenix also stars in this Paul Thomas Anderson religious drama. Amy Adams, Laura Dern, Jesse Plemons, and David Warshofsky co-star. ~ Jeremy Wheeler, Rovi  Continue Reading

Starring:  Amy Adams, Joaquin Phoenix, Philip Seymour Hoffman, Laura Dern

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